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The introduction is the
most important part of
your essay, and it has
one purpose to fulfill
above all others: to
draw in the reader.
Ideally, this should
begin right from the
attention-grabbing
opening sentence. If the
introduction can then go
on to orient the reader
to the focus of the
essay, then that can be
very helpful.
Orientation, however, is
not an essential
purpose, because that
can be achieved
gradually in the essay.
Many people make the
mistake of writing a
paragraph that explains
what they are going to
talk about in the rest
of the essay, as they
would in an academic
paper. Such a paragraph
might include something
such as the following:
"My journey toward
college has been shaped
by a variety of
experiences, including
academic studies,
volunteer work, and
extracurricular
activities." The reader
knows that you are going
to talk about these
things and is most
likely muttering to
himself, "Get to the
point already."
If you have a paragraph
such as this in your
essay, the best move is
to delete it. Often your
second paragraph, which
begins to discuss a
specific experience,
will work much better as
an introduction. You may
also find that a later
paragraph works even
better. In general, you
should bring your most
compelling experience to
the forefront and then
structure your essay
around that.
The following is a list
of possible approaches
to the introduction.
Jump Right In
Some people will start
with a compelling
experience but will
insist upon prefacing
that experience with a
very generic statement,
like the following: "I
want to go to graduate
school to learn and
achieve my goals."
People often write such
a statement because they
feel obligated to
restate the question in
some way. If your essay
is answering the
question of why you want
to go to graduate
school, you should
demonstrate your reasons
without relying on such
a bland summary
sentence.
Consider this
applicant's
introduction:
"I can't tell you in
which peer group I'd fit
best, because I'm a
social chameleon and am
comfortable in most; I
will instead describe my
own social situation and
the various cliques I
drift in and out of."
This
applicant writes what
starts out as a
potentially engaging
introduction, but the
paragraph immediately
loses the reader's
interest by telling him
what the applicant is
going to write about.
Now
consider the applicant's
second paragraph:
"My
high school's student
body is from a part of
town that is much more
diverse than the rest of
the city, and the city
as a whole is more
diverse than most of the
state. The location of
my school, only a few
blocks from the
University of Oregon, is
greatly responsible for
the social atmosphere.
Whereas the other high
schools in town draw
mainly from middle-class
white suburban families,
mine sits in the
division between the
poor west university
neighborhood and the
affluent east university
one. East university is
hilly and forested with
quiet residential
streets and peaceful,
large houses. A few
blocks west, using the
university as the
divider, the houses
become small and seedy.
On the west side of my
school there are many
dirty apartments; crime
is high and social
status is low."
Here,
the writer engages the
reader by providing a
vivid description of the
locale of his home and
school. He probably felt
he needed the
introductory paragraph
so the reader would not
be confused by his
second paragraph.
However, by adding such
a short and bland
introduction, he has
actually decreased the
effectiveness of his
personal statement. It
is sometimes unnecessary
to establish context
right away. Indeed, some
mystery can go a long
way toward compelling
the admissions officer
to continue reading
actively. Let your
story flow, engaging the
reader and gradually
relating setting and
context.
The advice to jump right
in also applies to
anecdotes. One effective
way to grab the reader's
attention is to describe
the action of your
story.
Consider this
applicant's
introduction:
"'Breez
in and breez out. Clear
yor mind by zinking of
somezing plasant.' For
five minutes, all of us
found ourselves sitting
cross-legged on the
floor with a soft,
sleepy look on our faces
as we subconsciously
nodded to the soothing
rhythmic voice of our
French teacher. Our
heads were still half
wafting in the delicious
swirls of dreamland,
barely dwelling in the
bittersweet shock of
reality. Time whizzed by
swiftly and we were
forced to tend to the
grueling task of
untangling our aching
frames, stiffened from
prolonged straining
positions."
The
above introduction does
a much better job of
engaging the reader.
Dialogue can be a very
effective way to win
over the reader's
attention. This
applicant lets the
reader know the
setting—his French
class—even though he
never explicitly states
the location of the
story. He paints a vivid
picture in the reader's
mind while incorporating
the element of mystery,
as the reader wonders
what further action will
occur, as well as what
the point of this
anecdote will ultimately
be.
Show Your Originality
If
you can make yourself
stand out right from the
first sentence, then you
will have already
contributed a great deal
to your case for
admission. Of course,
this is not to say that
you should just throw
out a random fact about
yourself. However, if
your essay is going to
emphasize a unique
aspect of your life,
then by all means,
introduce it right away.
This applicant starts
with:
"When
I was four years old, I
decided to challenge
conventional notions of
the human limit by
flying through a glass
window. The impetus was
Superman, whose exploits
on television had
induced my experiment.
Nine stitches and
thirteen years later,
while I no longer
attempt to be stronger
than steel or faster
than a speeding bullet,
I still find myself
testing my limits,
mental and physical."
This
applicant takes a
similar approach:
"I am
an addict. I tell people
I could stop anytime,
but deep inside, I know
I am lying. I need to
listen to music, to
write music, to play
music every day. I can't
go a whole day without,
at the very least,
humming or whistling the
tunes that crowd my
head. I sing myself
hoarse each morning in
the shower, and playing
the trumpet leaves a red
mouthpiece-shaped badge
of courage on my lips
all day. I suspect that
if someone were to look
at my blood under a
microscope, they would
see, between the
platelets and t-cells,
little black musical
notes coursing through
my body."
Both
writers have succeeded
in grabbing our
attention and revealing
something unique about
their personalities,
which they will go on to
explain in further
detail.
A Concrete Image
Starting with a concrete
image helps the reader
to grasp your point more
immediately. For
example, this applicant
begins to describe her
favorite places to
think:
"While eating Cheerios,
my eyes wandered from
the yellow giant
cardboard box to the
white plastered ceiling,
with shades of dawn in
muted colors, and back
to my bowl of cereal."
This
is probably not a
particular episode,
since the applicant
frequently uses the
kitchen table as a
thoughtful refuge.
Still, she offers a
vivid description with
concrete details, and so
we can picture her
sitting at her kitchen
table, letting her mind
drift into pensive
thought.
The Element of
Mystery
There
are many ways to engage
your reader, but the
elements of mystery and
surprise are perhaps the
most effective. With
admissions officers
poring over as many as
fifty essays in a day,
they begin to scan
applicant statements,
stopping to read only
those that are written
extremely well and are
out of the ordinary.
There is perhaps no
better way to get your
reader to finish reading
your personal statement
than to make them guess
what you are writing
about through the
element of mystery.
Consider this
applicant's
introduction:
"I
had a mental image of
them standing there,
wearing ragged clothes,
hot and depressed,
looking upon us as
intruders in their
world. They would sneer
at our audacity. We
would invade their
territory only to take
pictures and observe
them like tourists."
Though the applicant
provides precise details
that help form a
concrete picture in the
mind of the reader, he
makes sure to keep from
relating other vital
information that will
establish context until
the second paragraph:
"We
climbed out of the van
and faced eleven men
assembled in the shade.
My mental image was
confirmed. My class,
consisting of twelve
primarily white,
middle-class students,
felt out of place. Our
Politics of Food
curriculum at Governor's
School, a summer
environmental program,
included an interview
with migrant workers. We
were at a farm worker
labor camp in southern
New Jersey, but judging
from the rural
landscape, it may as
well have been Iowa. I
felt like a trespasser."
State a Problem
By
stating a problem, you
create instant
curiosity, because the
reader wants to see how
you will address the
issue. The below
applicant relates how an
issue of international
prominence became
personalized for him and
his family:
"I
have often wondered
whether the United
States has an obligation
to get involved in the
internal conflicts of
other countries. When
does the power to
intervene become an
obligation to act? I
gained some insight into
this dilemma when a
small part of the
Bosnian war spilled into
my home last year."
You
do not need to limit
yourself to far-reaching
global issues. You could
state a general problem
common to the lives of
most people and then go
on to personalize it for
yourself, relating how
it affects you and what
you are doing or will do
to address it. There are
many possibilities here,
but what unites them is
the element of drama,
and you should use that
to your advantage in
creating a strong
introduction. |